Marlon James

Marlon James was born in 1980 in Kingston, Jamaica and is currently based in Trinidad & Tobago. He received his BFA from the Edna Manley College of the Visual and Performing Arts (Jamaica) in 2003.
James’ work has been exhibited nationally and internationally, including group exhibitions at The National Gallery of Jamaica, Punkt Ø / Galleri F15 (Norway) Gallery of Mississauga (Canada), The IDB Cultural Center (D.C.), Art Museum of Americas (D.C.), Bargehouse (London), Alice Yard (Trinidad). He has also been published in Small Axe: A Caribbean Art Journal 41, Pictures from Paradise, Jamaica Art: Then and Now and ARC Magazine Issue 4.
The Lonely Wanderer Series (2015 – ongoing) spans as much as it connects, multiple geographies of Trinidad & Tobago, USA and Senegal.

My hope with the Lonely Wanderer series (Trinidad) was to bring attention to the unconventional standards of beauty found in the spaces we dwell and move about on a daily basis. I wanted to highlight the Caribbean and the people in our region as rich, striking and beautiful. So much more than sun, sea, sand and sex as it is oftentimes categorised. My work undercuts that narrative and attempts to demonstrate the agency of the people and how they occupy space, emphasising culture, individuality and stories of the everyday.

Artist Statement

Impetus for my work comes from a search for my own identity. Beyond searching for beauty in the mundane, I have and I will always be interested in and intrigued by the human form. My choice to document black and brown people in our-their natural environment came about after my group exhibition in Jamaica; Young Talent V (2010). My go-to portrait style at the time was quite minimal, as I would photograph individuals against a stark white wall. I generally felt in the beginning that environmental portraits would distract from the person – I still do to a degree – but as time went by, I wanted to showcase elements of the Caribbean organically. So I looked into striking a balance with the environment and using dramatic light to place focus on the subject.

Incorporating a raw, unedited approach to photography, I often capture socially controversial subjects who represent taboo or overlooked aspects of Jamaican and Caribbean society.

Published Works

Range – Volume 4: Moko Magic pg 32-39, Nov 2023
Archives No.2 : Au Courant, July 2022
Stranger’s Guide : King Yellowman, June 2019
Marie Claire : Why Black Women in a Predominately Black Culture Are Still Bleaching Their Skin, June 2017
Pictures from Paradise: A Survey of Contemporary Caribbean Photography 2012, Robert and Christopher, Trinidad and Tobago
Small Axe: A Caribbean Journal of Criticism Issue 41 / 2013, Duke University, New York
Jamaica Art: Then and Now 2011, LMH, Jamaica